The Concept of Intertextuality with the Illustration of Characters in the Romance of The Three Kingdoms to Create Innovative Contemporary Ceramic Installation Artworks - A Case Study of the Peach Garden Epilogue

Authors

  • Li Xuanyan Faculty of Fine And Applied Arts Burapha University
  • Pongdej Chaiyakut Faculty of Fine And Applied Arts Burapha University
  • Poradee Panthupakorn Faculty of Fine And Applied Arts Burapha University

Keywords:

Romance of The Three Kingdoms, Peach Garden Epilogue, Character Story Illustration, Intertextuality, Ceramic Installation Art

Abstract

The enduring influence of “Romance of the Three Kingdoms” extends to a vast array of visual art forms. The text provides the illustrated story plot, and the illustration is the visualization, which forms the intertextual relationship between text and image, employing intertextuality theory to conduct a comparative analysis of the characters’ story text, novel illustrations, and the visual artworks of Peach Garden Epilogue, then obtains the story plot, visual elements, spiritual connotation, and common artistic processing techniques of the illustrations which create installation artworks based on the characters’ story pattern of Peach Garden Epilogue as the design element and the main material of ceramic, which contains the idea of six virtues.

References

Chen, M. (2011). TaoyuanJieyi. [Painting]. Retrieved July 23, 2021. https://auction.artron.net/paimai-art5001310027

Historysite. (1639). The Peach Garden Epilogue on Glazed tiles. Retrieved July 23, 2021. https://twgreatdaily.com/-NtJpXQBURTf-Dn5_cr3.html#google_vignette

Li, X.Y. [Photographer]. (2023). Positive effect of 3D renderings of Taoyuan Jieyi. [Photo]. Burapha University. [In Thai]

Li, X.Y. [Photographer]. (2023). Side effects of 3D renderings of TaoyuanJieyi. [Photo]. Burapha University. [In Thai]

Li, X.Y. [Photographer]. (2023). Sketch of Liu Bei, Guan Yu and Zhang Fei. [Photo]. Burapha University. [In Thai]

Luo, G. Z. (2009). The History of The Three Kingdoms. National Library Press.

Qiao, G. H. (2006). A Study On The Illustrations Of Novels and Dramas Of Ming and Qing Dynasties. Southeast University Press.

Tie. Y. (2001). Ming and Qing Dynasties Ornamental Identification. Hualing Publishing House.

Wang, J. (2005). Intertextuality. Guangxi Normal University Press.

Wang, X. J. (2012). TaoyuanJieyi. [Painting]. Retrieved July 23, 2021. https://auction.artron.net/paimai-art5015260337Thai

Wang, Y. S. (2006). TaoyuanJieyi. [Painting]. Retrieved July 23, 2021. https://auction.artron.net/paimai-art53370017

Ye, F. C. (2009). Records Of The Three Kingdoms. National library of china publishing house.

Zhou, C. Y. (2006). TaoyuanJieyi. [Sculpture]. Retrieved July 23, 2021. https://auction.artron.net/paimai-art0010980754

Zhou, X. H. (2002). Ancient Novel Printcatalogue. Academy Press.

Zhou, Y. X. (1571). The New Issue Corrects Ancient And Modern Sounds And Releases Popular Romance Like The Three Kingdoms biography. Wan Juan Lou Press.

Downloads

Published

2024-02-14

How to Cite

Xuanyan, L., Chaiyakut, P. ., & Panthupakorn, P. . (2024). The Concept of Intertextuality with the Illustration of Characters in the Romance of The Three Kingdoms to Create Innovative Contemporary Ceramic Installation Artworks - A Case Study of the Peach Garden Epilogue. Journal of Humanities and Social Sciences Bansomdejchaopraya Rajabhat University, 18(1), 167–187. retrieved from https://so08.tci-thaijo.org/index.php/jhusocbru/article/view/1707

Issue

Section

Research Article