The Pattern and Content of Ramayana: Jong Tanon, The Writing by King RamathibodiI Sisin Maha Vajlravudh Phra Mongkut Klao Chao Yu Hua

Abstract

This research article aims to study the pattern and content of Ramayana: Jong Tanon, the writing by King Ramathibodi I Sisin Maha Vajlravudh Phra Mongkut Klao Chao Yu Hua. Through the analysis of Ramayana: Jong Tanon, various issues reflected through royal writings are examined using qualitative research methodology with document research and content analysis of royal writings. The study found that His Royal Highness Princess Maha Chakri Sirindhorn incorporated the Ramayana story, Jong Thanon, as a song and narrative for Khon performances. Most of them consist of songs and dubs that are polite poems, except for the narrative chapter of Yani 11, which shows the grand scene of Rama’s army procession and the lengthy dialogue in the Jong Tanon scene of Nol. As for the story, it differs from the original Ramayana script during the reign of Rama I and II because it retains the original layout from Valmiki Rishi’s Ramayana texts. Additionally, it is hidden by royal ploys or royal initiatives that are contemporary concepts applicable today, both in terms of nature under scientific rules and in solving problems through peaceful means. Furthermore, it reflects the humanity of the monarch assuming the role of gods in the democratic system, showcasing His Majesty’s genius in royal writings in the blessing of King Rama VI. Moreover, His Majesty’s knowledge and understanding of the globalization of politics and government in a truly democratic system are conveyed through royal writings, which are suitable for creating Khon performances in the present era. This research aims to conserve traces of Khon performances based on the royal writings of King Rama VI and provide them with an opportunity to be revitalized with modern technology and special techniques.