The Relationship between the Khon Mask and the Khon Performer

Authors

  • Saksom Panthong Fine Arts Department
  • Malinee Achayutthakan

Keywords:

Khon Mask, Khon performer, chew rope

Abstract

This qualitative research aims to study the relationship between Khon masks and Khon performers by synthesizing and analyzing data from interviews with experts in Khon performing arts and the researcher's over 40 years of direct experience.

The research found that The Khon masks are very much related to Khon performers. Both in terms of physical, spiritual, and faith and it is a part of the important factors in Khon performances. The importance of the relationship between Khon masks and Khon performers can be divided as follows:

Khon masks serve as symbolic mask function in which Khon performers must wear in Khon performance that is very important for Khon performers to adjust their bodies to each mask, which has different materials, sizes, shapes, and weights that affect the performer’s temperature, vision, balance, movement and breathing. Therefore, Khon performers need to take time to try on Khon mask to get used to it before performing.

Khon masks force Khon performers to act the gestures of different characters, and express emotions and feelings which are consistent with Khon masks that Khon performers wear while performing. If Khon performers do not put the spirit of the characters into Khon masks they wear, there will immediately be a conflict between Khon masks and Khon performers’gestures and feelings, causing the performance to be unsuccessful, and the audience to be unimpressed. 

Khon mask is the centre of sacredness, power, belief, and faith. Before and after the performance Khon performers always pray Khon masks. In particular, Khon masks representing the gods, including Shiva, Vishnu, Brahma, Ganesha, and Phra Pirap when Khon performers have to wear Khon masks representing the gods, they will be awe of the sacred power of these gods, and will usually prepare themselves carefully before the performance to avoid mistakes during the performance.

References

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Published

2026-03-23

How to Cite

Panthong, S., & Achayutthakan, M. (2026). The Relationship between the Khon Mask and the Khon Performer. Journal of Humanities and Social Sciences Bansomdejchaopraya Rajabhat University, 20(1), 32–49. retrieved from https://so08.tci-thaijo.org/index.php/jhusocbru/article/view/5880

Issue

Section

Research Article