Naga: Conceptual analysis and artistic creation from Nanthopananthasut Kamluang

Abstract

Objectives: The purpose of his article is to 1) explain the concept of kitsch-style art and the creation of the art piece, Naga; 2) explain the creation process of the art piece which employed the interpretation of a Thai literature “Nantopanantthasut Khamluang” which recounts the episode when Lord Buddha sent his apostle, Moggallana, to fight a naga named Nanthopanantha; and 3) disseminate a creative work from “Nantopanantthasut Khamluang” which is part of the country’s valuable cultural capital.

Methods: The study employed visual art methodologies through the concept of “Naga” and Buddhism as the representation of power in society. The conceptual meaning of Naga was analyzed in various aspects including its status of power and hierarchy, and its appearance in fine art, along with visual art theories to create the artistic composition.

Results: The art piece expanded the dimension of aesthetic which was beyond the form of beauty that emerged from visual elements and artisan techniques.  It brought the content from traditional fine art into consideration in the process of choosing unconventional materials and techniques, which were unconventional in order to create an aesthetic touch and communicate a mode of “storytelling” that has changed from the traditional morality tales.  It motivated a cultural movement, an enlightenment, and wisdom in the contemporary society context.

Application of this study: The creative art piece employed the application of knowledge in art and design to integrate the beliefs, the traditions and the state of globalization where cultural values are converted into the capital of creation. The work shows academic value. It is a case study for further creation of fine arts that aims to integrate visual art practice in an aspect that extends beyond the purpose of conservation.