The Concepts and Elements of the Dance Creation “YAB-YUM”

Main Article Content

Vittavat Kornmaneeroj

Abstract

Background and Objectives: “YAB-YUM” represents the fusion of wisdom (Prajna) and compassion (Karuna). The Vajrayana sect believes that when wisdom and compassion unite in the human mind, it leads to liberation or the path to enlightenment. Therefore, this physical depiction is a Sambhogakaya form, visible in the Buddha’s person, and serves as a means of Dharma in the form of a man and a woman. This is because accessing wisdom requires compassion to ultimately achieve liberation or the attainment of Dharma. This research named The Concepts and Elements of the Dance Performance YAB-YUM” aims to 1) present the concept of Yab-Yum iconography in Vajrayana Buddhism via the creation of works in the field of Dance Performance, and to 2) integrate the concept of Yab-Yum iconography in Vajrayana Buddhism with contemporary dance concepts, symbolism in dance performance, and site-specific art. This integration will be applied to the elements of dance performance creation: theme, dancers, choreography, sound and music, costume, and performance space. 


Methods: The dance performance work is based on a qualitative research approach combined with creative research. It integrates knowledge from various conceptual frameworks, including the concept of Yab-Yum iconography in Vajrayana Buddhism, contemporary dance, symbolism in dance performance, and site-specific art. The creative process consists of the following steps: 1) studying relevant documents, 2) personal communication with related individuals, 3) fieldwork exploration, 4) analysis and creation of dance performance work, 5) review and refinement of dance performance work, and 6) presentation and independent critique of dance performance. 


Results: The creative process for this dance performance piece integrates the concept of Yab-Yum iconography in Vajrayana Buddhism, contemporary dance, symbolism in the performing arts, and site-specific art. These ideas are combined with six elements of dance performance creation: 1) Theme; the dance performance is newly created under the concept of Yab-Yum iconography in Vajrayana Buddhism, inspired by the philosophical principles of Vajrayana Buddhism. 2) Dancers; knowledgeable and have skills in contemporary dance.
3) Choreography; present through contemporary dance, combined with improvisation and partnering techniques including body support, lifting to float up as well as expressing emotions and feelings. 4) Sound and music; newly compose a song from the Tibetan Singing Bowls to create concentration and calm. 5) Costume; conceptualized to reflect Yab-Yum symbolism, utilizing earth-tone colors to represent nature and simplicity. 6) Performance space, select performance space using the criteria of environment, size, and the utilization of performance spaces based on the concept of site-specific art. 


Application of this study: The dance performance “YAB-YUM” represents the development of a creative work in dance that integrates philosophical concepts and symbolism in Vajrayana Buddhism into the creative process. By incorporating various disciplines and theoretical frameworks, this work introduces an innovative approach that diverges from traditional forms. This creative endeavor serves as a means to advance the field of dance by expanding knowledge and performance styles in alignment with contemporary contexts. 


Conclusions: The concepts and elements of the dance performance “YAB-YUM” represent an integration of knowledge from philosophy, symbolism, and dance. This demonstrates that dance creation is not confined to the aesthetics of movement alone, but also serves as a space for philosophical communication, symbolic interpretation, and the integration of multiple disciplines—an essential approach in dance creation. Furthermore, the presentation of the concepts and elements in this performance serves as an example of how interdisciplinary dance creation can be further developed and expanded. 

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How to Cite
Kornmaneeroj, V. (2025). The Concepts and Elements of the Dance Creation “YAB-YUM”. Journal of Arts and Thai Studies, 47(2), E4376 (1–15). https://doi.org/10.69598/artssu.2025.4376.
Section
Research Articles

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Kornmaneeroj, V. (2022a). Figure 1 The Conceptual Framework for Research and Creative Work.

Kornmaneeroj, V. (2022b). Figure 2 YAB-YUM of Tantra Ideology.

Kornmaneeroj, V. (2022c). Figure 3 The Concept of Contemporary Dance.

Kornmaneeroj, V. (2022d). Figure 4 The Concept of Symbolism in Dance Performance.

Kornmaneeroj, V. (2022d). Figure 5 The Concept of Site-Specific Art.

Kornmaneeroj, V. (2022e). Figure 6 The Script in The Dance Performance “YAB-YUM”.

Kornmaneeroj, V. (2022f). Figure 7 The Dancers in The Dance Performance “YAB-YUM”.

Kornmaneeroj, V. (2022g). Figure 8 The Choreography in The Dance Performance “YAB-YUM”.

Kornmaneeroj, V. (2022h). Figure 9 The Costume in The Dance Performance “YAB-YUM”.

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