The Choreography of “Mamia”

Abstract

          This research aims to establish a body of knowledge regarding the creative design process in performing arts, inspired by the legendary love story of "Ma Mia and Chao Noi Sukkasem." The study culminates in the development of a creative dance performance titled "Ma Mia". The research methodology involved qualitative data collection through documentary analysis and interviews with experts in Thai classical dance, creative dance, Thai musicology, Thai vocal arts, and literature. Furthermore, the researcher studied master artists to synthesize and analyze the contents, which were then compiled into a descriptive analytical research report. The data were utilized to develop the artistic creation. Subsequently, a focus group discussions was conducted to evaluate the quality of the creative work. The findings were then synthesized into a descriptive analysis and compiled into a formal research publication.

           The results of the research show that the core of producing successful creative work lies in management skills to ensure that project meets its objectives within the planned timeframe. Through this complex working process, the researcher identified that discipline, patience, and social skills are essential for coordinating with various stakeholders. In terms of professional classical dance, this research establishes a systematic creative methodology, from  conceptualization, performance styling, component definition, and structural outlining. The creation, then implemented as outlined. The resulting creative performance lasts 16 minutes, divided into three acts: Act 1: Encountering Love, Act 2: Love’s Hardships, and Act 3: Departure. The cast includes performers portraying one Ma Mia and one Chao Noi Sukkasem, supported by an ensemble of six supporting dancers. The musical score is a new composition that blends Burmese and Lanna melodies, integrating traditional instruments with electronic music. The lyrics are newly written in Burmese language. The choreography integrates Lanna and Burmese cultural movements, while the costumes are historically referenced from the period of 1897–1902 (the reign of King Rama V). Following experimental trials and evaluation by experts and audiences, the work has been recognized as a "Performing Arts Innovation." This performance, "Ma Mia" serves as a valuable contribution to the preservation and advancement of national cultural heritage, while simultaneously providing aesthetic pleasure and fostering cultural awareness among audiences.