Creative Development of a Thai–Chinese Intercultural Performance: “Sanae Nang MatCha”

Abstract

          This research article is part of a thesis entitled “Thai–Chinese Intercultural Performance: “Sanae Nang MatCha”. The objective of this study is to examine the creative process of a Thai–Chinese intercultural performance titled ““Sanae Nang MatCha.” The research employs a qualitative methodology, collecting data through documentary research, interviews, and observation. The data were then categorized and synthesized to create an intercultural theatrical performance. The findings reveal that: 1) The conceptual framework of the Thai–Chinese intercultural performance: “Sanae Nang MatCha” is derived from the Chinese folktale “Zhen Jia Mu Dan,” which originated during the Song Dynasty. The story portrays a love triangle among three characters: a young scholar, the daughter of a high-ranking minister, and a carp demon. 2) The performance format integrates Thai and Chinese cultural elements in performing arts, divided into three scenes: Scene 1 Love at First Sight, Scene 2 The Stratagem, and Scene 3 Fulfillment. The components of the performance include: (1) a theatrical script integrating dramatic performance with dance; (2) musical accompaniment combining Chinese instruments with synthesized sounds of Thai music; (3) a cast of nine performers (six females and three males) with acting and dancing skills; (4) movement styles incorporating Chinese dance, naturalistic gestures, and Thai classical dance; (5) costumes