The Buddha Statue Pointing Finger on Chom Sak Hill, Kengtung City, Myanmar: Iconography from Different Perspectives

Abstract

Myanmar or Burma, a nation where Theravada Buddhism holds a central place in its religious landscape, is a rich tapestry of diverse ethnic groups. Consequently, artistic expressions across different regions of the country exhibit distinctive styles that mirror the unique cultural and spiritual underpinnings of each locale. This academic article seeks to illuminate a specific instance of Buddha image creation in Burma during the 26th century. It centers on a standing Buddha image, with the right hand extended, pointing towards Chom Sak Hill in Kengtung City. While this Buddha statue has been crafted in recent decades, its origins can be traced back to ancient legends and beliefs deeply ingrained in Burmese culture. These connections often harken to the historical visit of the Lord Buddha to the city and his prophecies concerning the spread of Buddhism in these regions. In the contemporary context, this art form transcends the confines of mere religious beliefs, encompassing a broader spectrum of spiritual and cultural perspectives. It serves as a reflection of the evolving cultural and spiritual landscape of Burma, encapsulating a diverse range of iconographic interpretations.