Cover

Natural History in King Chulalongkorn’s Sadet Praphat Chanthaburi

ARTS-44-3-2022-R01 (1-14)

From Traditional Wisdom and Philosophy in Pulpit Art to the Creation of Contemporary Space Design

ARTS-44-3-2022-R02 (1-15)

Monster Theory in Phaya Pla: Women, Otherness, and Sexuality in 1987-1997

ARTS-44-3-2022-R03 (1-16)

Potential of Tourism Resources in Satun UNESCO Global Geopark for the Promotion of Creative Tourism Activities

ARTS-44-3-2022-R04 (1-14)

Textile Motifs in Phitsanulok: An Analysis of Meaning and Beliefs

ARTS-44-3-2022-R05 (1-14)

President Chiang Kai-shek: from the Heroic Generalissimo to the Dictatorship Symbol

ARTS-44-3-2022-R06 (1-10)

The Music Creation of the University Overture “Fuang Fa Dhavaravati”

ARTS-44-3-2022-R07 (1-13)

Strategies to Create Humour in the Social Media Programme “Un-Ja the Reality”

ARTS-44-3-2022-R08 (1-16)

“The Bangkok Plot”: the Plot to Overthrow Samdech Preah Upayuvareach Norodom Sihanouk (1958-1959)

ARTS-44-3-2022-R09 (1-21)

An Analysis of Problems Found in Thai–Japanese Translation: A Case Study of Texts Translated by Thai Students Majoring in Japanese Language

ARTS-44-3-2022-R10 (1-16)

The Georgic Tradition: Examining Nature through Rural Labour and Farm Lives in Seamus Heaney’s Poetry

ARTS-44-3-2022-R11

Karl Döhring as Traveler and Mediator between Multiple Worlds: A Reflection through His Book Kunst und Kunstgewerbe in Siam

ARTS-44-3-2022-AC01 (1-15)

Scientism and Epistemological Problems

ARTS-44-3-2022-AC02 (1-11)

The Economist with a Heart: Critique of “Your Inner Economist” by Tyler Cowen

ARTS-44-3-2022-AC03 (1-12)

Ecological Senses and The Relationship between Humans and Nature In the Novel Dechani

ARTS-44-3-2022-AC-04 (1-13)

Handbook for Writing References and Bibliography

ARTS-44-3-2022-BR (1-2)